Passages in Italian Art at the Turn of the Millennium', Rome, Italy Between Senses," the gallery's debut exhibition devoted to the artist. After living in New York from 1968 to 1971, she returned to Brazil and devoted herself to drawing as a means of self-expression. M.A.P.A. ), Beltrân, Erick, Hernández Felisberto, Hütte, Friedhelm + [et al. Museu de Arte Moderna do Rio de Janeiro, 'Rio Hoje', Rio de Janeiro, Brazil, 1987 IV The International Drawing Triennale, Wroclaw, Poland Embaixada do Brazil em Paris, 'Galeria Debret', Paris, France Anderson, Mitchell, ‘Anna Maria Maiolino Hauser & Wirth / Zurich’, on: www.flashartonline.com, Trevi, 6 December 2016, ill. Gleeson, Bridget, ‘Channeling the Trauma and Thrill of Immigration, a Brazilian-Italian Artist Peers into the dOCUMENTA (13)', São Paulo: Galeria Millan, 2012, 2002 Maiolino, Anna Maria, 'O demiurgo e seu território', in: 'Poesia Sempre', Rio de Janeiro, ano 10, n. 17, Departamento Nacional do Livro, December 2002, 2001 Maiolino, Anna Maria, 'Anna Maria Maiolino Writings 1970- 2001', in: de Zegher, Catherine (ed. Ayala, Walmir, 'Pesquisa Gráfica', in: Jornal do Brasil, Rio de Janeiro, 14 December 1973 Anna Maria Maiolino', on: www.newyorker.com, New York, May 2014, 2006 Asbury Michael, 'Anna Maria Maiolino: ordem e subjetividade', in: DARDO Magazine, Santiago de Compostela, pp. Through fragmentation and abstraction, Maiolino’s surfaces are rich with metaphor, alluding to and questioning language, sexuality, desire and the unconscious. Making Love Revolutionary’, London, England, 2018 Hauser & Wirth, ‘Anna Maria Maiolino’, New York NY, 2017 The Museum of Contemporary Art – MOCA, 'Anna Maria Maiolino', Los Angeles CA, 2016 Hauser & Wirth, 'TUDO ISSO (ALL THAT)', Zürich, Switzerland, 2015 Galleria Raffaella Cortese, 'Anna Maria Maiolino', Milan, Italy (tbc), 2014 Galeria Louisa Strina, 'De um Ponto ao Outro', Sao Paulo, Brazil Centro Cultural Cândido Mendes, 'Em Lugar de...' Rio de Janeiro, Brazil, 1979 Galeria Aliança Francesa, 'Feijão com Arroz', Rio de Janeiro, Brazil, 1976 Petite Galerie, 'Anna Maria Maiolino', Rio de Janeiro, Brazil, 1974 Galeria Arte Global, 'Anna Maria Maiolino', São Paulo, Brazil, 1973 Galeria Grupo B, 'Anna Maria Maiolino', Rio de Janeiro, Brazil, 1967 Galeria Goeldi , 'Anna Maria Maiolino', Rio de Janeiro, Brazil, 1964 Galeria G., 'Anna Maria Maiolino', Caracas, Venezuela, 2020 Solid Art, 'like a luminous animal', Taipei City, Taiwan by Catherine de Zeger, New York: The Drawing Center 2002, p. 281). Hauser & Wirth will present 'Anna Maria Maiolino. All my energy was spent trying to become an individual. Beginning 7 May 2014, Hauser & Wirth will present ‘Anna Maria Maiolino. 152-173, ---, 'Feminism & Art: Nine Views' (Art Forum International Roundtable Discussion with Linda Nochlin, Andrea Fraser, Amelia Jones, Dan Cameron, Collier Schorr, Jan Avgikos, Catherine de Zegher, Adrian Piper, Peggy Phelan), in: Artforum, New York, v. XLII, n. 2, October 2003, Costa, Eduardo, 'Anna Maria Maiolino', in: Arts Magazine, New York, v. 7, n. 3, March 2002, Sterling, Susan Fischer, 'Amazonian Dreams & New World Orders', in: Women in Arts, Washington, v. XIX, n. 3, National Museum of Women in Arts, Autumn 2001, Herkenhoff, Paulo, 'Zero and Difference: Excavating a Conceptual Architecture', in: Beyond Preconceptions: The Sixties Experiment, Independent Curators International, New York, 2000, pp. These works challenge notions of desire, language, and sexuality while examining themes of displacement, deprivation, and everyday rituals. Available for sale from Hauser & Wirth, Anna Maria Maiolino, São 8 [They Are Eight] (1993), Moulded cement with pigment, 39 3/8 × 49 1/4 × 5 1/8 in Kaplan, Cheryl, 'Anna Maria Maiolino', in: Artnews, New York, v. 101, n. 5, May 2002 Always Innovative', on: www.journals.cambridge.org, 11 June 2015, ill. Rigby, Claire, 'Re-Digesting Her Own Work', in: ARTNews, New York, November 2014, ill. p.46, Asbury Michael, 'Anna Maria Maiolino: ordem e subjetividade', in: DARDO Magazine, Santiago de Compostela, pp. Críticos de Arte), Rio de Janeiro, Brazil, 1980 Prêmio de Aquisição - III Salão Nacional de Artes Plásticas , Rio de Janeiro, Brazil, 1974 (IN-OUT Antropofagia) - Filme premiado no I Festival de Filme Super-8 , Curitiba, Paraná, Brazil The Met Breuer, 'Delirious: Art at the Limits of Reason', New York NY 135-138, ill. 18-jun-2015 - Slideshow: Anna Maria Maiolino On "Between Senses" at Hauser & Wirth by Benjamin Park (image 16) Anderson, Mitchell, 'Anna Maria Maiolino Hauser & Wirth / Zurich', on: www.flashartonline.com, Trevi, 6 December 2016, ill. MASP – Museu de Arte de Sao Paulo, 'Histórias da Infáncia', Sao Paulo, Brasil La Biennale de Lyon, Musée d'art contemporain de Lyon, 'Mondes Flottantes', Lyon, France Hauser & Wirth is a gallery of contemporary and modern masters representing over 50 established and emerging artists and estates. Anastas, Rhea, 'When attitude becomes norm', in: Artforum, New York, May 2016, pp. ], 'Pierrette Bloch', Vevey: Musée Jenisch Vevey, 2013, pp. Li, Jennifer S., 'Anna Maria Maiolino', in: artinamericamagazine.com', New York, NY, December 2017, ill. 18/jun/2015 - Anna Maria Maiolino calls herself a pilgrim, a wanderer in the world, and a person of multiple identities. 2010 de Zegher, Catherine, 'On Line: Drawing Through the Twentieth Century', New York: MoMA, 2010 programa arte e sociedade no Brasil III', São Paulo, Brazil (Travelling exhibition) Available for sale from Hauser & Wirth, Anna Maria Maiolino, Untitled, from A Sombra do Outro (Shadow of the Other) series (2014), Molded cement with pigme… 33-40, 1979 Pontual, Roberto, 'Espaços Emergentes', in: Jornal do Brasil, Rio de Janeiro, 25 April 1979, 1976 Morais Frederico, 'A Arte nos Caminhos e Descaminhos da Vida', in: O Globo, Rio de Janeiro, 14 April 1976 Museu Nacional de Belas Artes, 'Diferenças, coletiva do acervo do Centro Cultural Cândido Mendes', Rio de Janeiro, Brazil Early life. Brazil Museum of Fine Arts, 'Realigning Vision: Alternatives Current in South America – Drawing', Caracas, Venezuela Museu de Arte Moderna do Rio de Janeiro, 'Acervo do MAM - uma Seleção', Rio de Janeiro, Brazil Fundação Bienal, '30 x Bienal', Sao Paolo, Brazil Cinema de Artista, XVI Bienal Internacional de São Paulo, São Paulo, Brazil, 1982 Millenium Film Workshop, INC., 'Brazilian Super-8', New York NY Manifested as a self-portrait, the video ’08/07/2013′ (2013), from the ‘Present’ series, discusses the significance of a single experience that transpired on the artist’s journey home from dOCUMENTA 13. Hauser & Wirth has established this online platform—which is separate and distinct from its general gallery operations—to allow participants’ […] A Volta de Maiolino', in: Revista Manchete, Rio de Janeiro, n. 1629, 9 July 1983, Aquino, Flávio, 'Anna Maria Maiolino. Galeria Millan, 'O Acaso e a Necessidade', São Paulo, Brazil 'Litogravura: Métodos e Conceitos', Santo André, São Paulo, Brazil, 1991 Paço das Artes, 'O Clássico no Contemporâneo', São Paulo, Brazil Exhibition circle: Philippe Antonie Bertherat Lisa and Tom Blumenthal Tiqui Atencio Demirdjian Nicoletta Fiorucci Catherine Petitgas. Trienal Internacional de Gravuras Originais em Cores, Renchen, Switzerland I Salão de Artes Plásticas de Santa Catarina, Florianópolis, Brazil Add your contemporary art organisation to ArtRabbit The Atlanta College of Art Gallery, 'Multiple Word – an International Survey of Artists Books', Atlanta GA Recommended Exhibitions this Season', in: Aesthetica, London, November 2016, p. 21, ill. Museu da República, 'Três Gerações Artistas Mulheres', Rio de Janeiro, Brazil ), London: Parasol Unit, 2004, pp. See available works on paper, sculpture, and prints and multiples for sale and learn about the artist. Anna Maria Maiolino. Galeria do Instituto Cultural Brazil-Argentina, 'Nova Figuração Rio / Buenos Aires', Rio de Janeiro, Brazil, 1986 Paço Imperial, 'Sete Décadas da Presença Italiana na Arte Brazileira', Rio de Janeiro, Brazil Museo de Arte do Rio de Janeiro, 'Tarsila e Mulheres Modernas no Rio', Rio de Janeiro, Brazil EN TUDO - TODO [In everything - all]’, São Paolo, Brazil Museu de Arte Moderna do Rio de Janeiro, 'Duas Fases do Brazil', Rio de Janeiro, Brazil, 1999 Museu do Açude, 'A Forma na Floresta', Rio de Janeiro, Brazil Major solo exhibitions also include ‘Continuum’, Camden Arts Centre, London, England (2010); ‘Order and Subjectivity’, Pharos Center for Contemporary Art, Nicosia, Cyprus (2007); ‘Territories of Immanence’, Miami Art Center, Miami FL (2006); ‘Many’, Maiolino’s first retrospective in Brazil hosted by the Pinacoteca do Estado de São Paulo (2005); and ‘Vida Afora/A Life Line’, The Drawing Center, New York NY (2001). Lugares e Memória', Rio de Janeiro: Exposição Galeria Grupo B, 1973, Valladares, Clarival do Prado, 'Anna Maria Maiolino', Rio de Janeiro, 1967, Maiolino, Anna Maria, 'Anna Maria Maiolino. Lesley, Wright, 'Layers of Brazilian Art – Camadas na Arte Brasileira', Iowa: Faulconer Gallery, 2003, 2003 Duarte, Paul Sérgio, 'A Franqueza do Primeiro Gesto', in: 'Vestígios, Indícios e outros: Anna Maria Maiolino', São Paulo: Gabinete de Arte Raquel Arnaud, 2003, 2002 de Zegher, Catherine (ed. Nicole Klagsburn Gallery, 'On Paper', New York NY Museu de Arte Moderna do Rio de Janeiro, 'Ciclo de Estudos do E.N.S.A. Maiolino was born in Scalea, in Calabria in southern Italy ... Anna Maria Maiolino - Hauser and Wirth Gallery This page was last edited on 15 December 2020, at 21:24 (UTC). Neither linear nor chronological, the ongoing, open-ended nature of her practice enables her to work freely across discipline and media, while marinating a coherent conceptual thread through the entirety of her body of work. Escola de Artes Visuais do Parque Lage, 'Projeto Impressões Itinerantes', Rio de Janeiro, Brazil Centro Cultural Banco do Brasil Belo Horizonte, 'Resistir é Preciso', Belo Horizonte, Brazil SCAD Museum of Art, ‘Por um fio (By a Thread)’, Savannah GA, Galeria Luisa Strina, ‘Anna Maria Maiolino. Musée Ariana, 'Food', Geneva, Switzerland (Travelling exhibition) ), 'Anna Maria Maiolino', Santiago de Compostela: Centro Galego Arte Contemporánea, Barcelona: Fundació Antoni Tàpies, London: Koenig Books, Malmö: Malmö Konsthall, 2010, ill. 2006 Arujo, Marcelo Mattos, Venâncio Filho, Paulo, 'Anna maria maiolino: entre muitos', São Paulo: Pinacoteca do estado de São Paulo, 2006, 2004 Osörio, Luiz Camillo, 'A ética da simplicidade', in: 'Anna Maria Maiolino; Segmentos (folder)', Rio de Janeiro: Mercedes Viegas Arte Contemporânea, 2004, 2001 De Zegher, Catherine (ed. Butler, Cornelia, 'WACK! Desejo de Espaço: Fontana/Brasil', in: 'A ótica do Invisivel: Lucio Fontana/Brasil', Milan: Edizione Carta, 2001, Ferreira, Glória, Terra, Paula, 'Situações – Arte Brasileira Anos 70', Rio de Janeiro: Fundação Casa França Brasil, 2000, p. 28-2, Carvajal, Rina, 'Roteiros. 33, 35, 63, 155, 226, 235, ill. ___, 'A Otica do Invisivel. Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by Partner and Vice President Marc Payot. the competence of the heart Farago, Jason, 'Weekend in Los Angeles: That Touch of Brazil', in: New York Times, New York, and on: https://www.nytimes.com/2017/08/30/arts/design/maiolino-museum-of-contemporary-art.html, 30 August 2017, ill. 2016 ___, '10 to See. Between Senses, the gallery’s debut exhibition devoted to the artist. Gleeson, Bridget, 'Channeling the Trauma and Thrill of Immigration, a Brazilian-Italian Artist Peers into the Void', on: www.artsy.net, New York, 1 December 2016, ill. Add an Organisation. IMPORTANT NOTE TO BUYERS: Homegrown was established and conceived as a means to showcase the artistic talent of Hauser & Wirth’s own worldwide staff and family members and to assist them in promoting their own artwork. Carlos, Esther, Emílio, IBEU 1991.2001, 'Uma Década de Arte Contemporânea', Rio de Janeiro, 2002, p. 18 Doctors, Márcio, 'Anna Maria Maiolino. 'X Mostra de Gravura', Curitiba, Paraná, Brazil On view will be a selection of drawings, works on canvas, sculptures, photographs, and videos, as well the sound installation ‘Two Beats’ (2012), which features the artist’s poem ‘Eu so Eu (I am I)’ that was presented at dOCUMENTA 13. Roteiros. XXII Salão Nacional de Arte Moderna, Rio de Janeiro, Brazil HASR & WRH Press Contact: Zeno X Gallery, 'Off Road', Antwerp, Belgium Faulconer Gallery, 'Layers of Brazilian art', Grinnell IA MAX NAUENBERG/©ANNA MARIA MAIOLINO/COURTESY THE ARTIST AND HAUSER & WIRTH. ___, 'Anna Maria Maiolino at MOCA Losa Angeles', on: contemporaryartdaily.com, Chicago, IL, 11 December 2017, ill. Caixa Cultura Rio de Janeiro, 'Nós', Rio de Janeiro, Brasil (Travelling Exhibition), 2015 Palazzo Reale, 'La Grande Madre', Milano, Italy ), 'Anna Maria Maiolino. 1972) 20 13. Hauser & Wirth will present "Anna Maria Maiolino. New featured ceramic artists, exhibitions and news. Centro Galego de Arte Contemporanea, 'A Mancha Humana', Santiago de Compostela, Spain Funarte, 'A Xilogravura na História da Arte Brazileira', Rio de Janeiro, Brazil, 1983 VI Bienal Internacional de Arte, Valparaiso, Chile Gravuras, Desenhos, Objetos', São Paulo: Galeria Arte Global, 1974, 1973 Freitas Filho, Armando Freitas, 'Anna Maria Maiolino. Galeria Base, 'Samico e Suassuna – Lunário Perpétuo', Sao Paulo, Brazil Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by co-president Marc Payot. Bousso, Vitória Daniela (ed. Maiolino relates the act of molding clay to the act of writing and the mobility of drawing; molding involves a language of hand gestures, a type of serial aesthetic exploration conducted through the acts of kneading, rolling, stretching, and cutting. Anna Maria Maiolino discusses her exhibition ‘ERRÂNCIA POÉTICA (POETIC WANDERINGS)’ at Hauser & Wirth New York, 22nd Street. 'O.V.S.I. Galeria Luisa Strina, 'Coleções III', São Paulo, Brazil, 2002 Espaço Experimento, Parque das Ruínas, 'Genealogia do Espaço', Rio de Janeiro, Brazil Anna Maria Maiolino. Anna Maria Maiolino - Installation view, 'Here & There', dOCUMENTA (13), Kassel, Germany, 2012 Anna Maria Maiolino is one of the most significant artists working in Brazil today. Museo de Arte de Lima, '28 Artistas do Brazil', Lima, Peru La Triennale, 'Arts & Food. Camden Arts Centre, 'Continuum', London, England 2017 The Museum of Contemporary Art – MOCA, 'Anna Maria Maiolino', Los Angeles CA. Nunes, Vicente, 'Traços Neoconcretos', in: Correio Braziliense, Brasília, 10 January 2002 Related Events. Paço das Artes, 'HMST: 4 Instalações e 4 Artistas, Paulo Herkenhoff, Anna Maria Maiolino, Katie van Scherpenberg e Celeida Tostes', São Paulo, Brazil, 1980 III Salão Nacional de Artes Plásticas, Rio de Janeiro, Brazil, 1979 'Artistas Amélia Toledo, Anna Maria Maiolino, Luiz Ferreira, Maria do Carmo Secco, Maria Museu de Arte Moderna, 'Opinião 1966', Rio de Janeiro, Brazil, 1965 Salão Nacional de Arte Moderna, Rio de Janeiro, Brazil, 1963 XX Salão Paranaense de Belas Artes, Curitiba, Paraná, Brazil Located in Manhattan’s Upper East Side, 32 East 69th Street was Hauser & Wirth’s first American gallery. See available works on paper, sculpture, and prints and multiples for sale and learn about the artist. Roteiros. In 2010, the major retrospective ‘Anna Maria Maiolino’ opened at the Antoni Tàpies Foundation, Barcelona, Spain and travelled to the Galician Center for Contemporary Art, Santiago de Compostela, Spain (2011) and Malmö Kunsthalle, Malmo, Sweden (2011). Instituto Tomie Ohtake, 'Laços do Olhar', São Paulo, Brazil Paço Imperial, 'Inagurane Collection of Modern and Contemporary Art of the National Gallery', Rio de Janeiro, Brazil Mercedes Viegas Arte Comtemporânea, 'Um Olhar sobre a Paisagem Contemporânea', Rio de Janeiro, Brazil 25 Years. Maiolino took part in the radical reconfiguring of the art object – and thus the art institution and the artist – during this period. Collu, Christina, De Cecco, Emanuela, Iamurri, Laura + [et al. Gabinete de Arte Raquel Arnaud, '+&-', São Paulo, Brazil, 1997 Joel Eldestein Arte Contemporânea, Rio de Janeiro, Brazil 2012 Alves, Paulo (ed. Munder, Heike (ed. X Bienal dos Jovens, Paris, France It provides readers with an unprecedented opportunity to enjoy the rich scope of Maiolino’s creative output to date. Between Senses / Hauser & Wirth, New York May 7 – June 21, 2014. Ehrenberg, Felipe, 'De Instalaciones al Aire y Quimeras Permanentes', in: Arte de Mexico, Mexiko City, n. 37, 1997 The artist’s deeply formative migration from post-war Southern Italy to a politically unstable South America, and her linguistic passage from Italian to Portuguese, engendered an enduring fascination with identity. Buckley, Annie, 'The Other Side: Radical Women', on: www.lareviewofbooks.org, Los Angeles CA, 20 November 2017 Anna Maria Maiolino: Entre Pausas On the occasion of the exhibition ERRÂNCIA POÉTICA (POETIC WANDERINGS), Hauser & Wirth Publishers is pleased to release ‘Entre Pausas’ (Between Pauses), a new artist book that publishes 74 drawings from Maiolino’s eponymous series for the first time. Barbara oversees Hauser & Wirth’s 22nd Street space and works closely with specific artists, including Anna Maria Maiolino. 28-55, ill. 2009 Ashbury, Michael, Maria de Fatima Lambert, 'Order and Subjectivity', Nicosia: Pharos Publishers, 2009, 2007 Basualdo, Carlos, 'Tropicália Uma Revoulução na Cultura Brasileira (1967-1972), São Paulo: Cosac Naify, 2007, pp. My life was dominated by anguish and doubts, although I also wanted to participate in that moment of great political, social and artistic effervescence that was pushing artists to make alliances with the previous generations… We wanted to develop an autonomous national art, far removed from external patterns and models. Modos de Ação para Propagar Arte, 'No Calor da Hora' [Billborad occupation in 27 capitals in Brazil], Natal, Brazil , 'TUDO ISSO ( ALL that ' ) featured as one of the paper which hold... Took part in the radical reconfiguring of the paper which I hold my. June 21, 2014 pp.134-135, ill. 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